The first completed draft from Wernick and Reese was expected around June 2016;[63] multiple had been completed by January 2017.[73] The pair felt a responsibility to explore the team X-Force, which includes Deadpool, Cable, and Domino in the comics, but to also keep the film focused on Deadpool.[74][73] By the next month, the studio was still not happy with the script, with Reynolds and the writers "bunkered down ... trying to cross the finish line and create something everyone is excited to make". Goddard joined them as a consultant.[75] Reese, Wernick, and Reynolds were credited for the script, the three having split the film's scenes between them before passing them around to be re-written by the others. Reese felt they were able to maintain "one voice" because of their long history with the character during development on the first film.[56]
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Fox revealed in November that the film was technically untitled at that point, and not officially known as Deadpool 2 as had been assumed; the studio was temporarily referring to the film as The Untitled Deadpool Sequel.[113] Sexual misconduct allegations against T.J. Miller surfaced a month later, and by January 2018 some commentators had called for Miller to be replaced in the film in a similar manner to how Kevin Spacey was replaced by Christopher Plummer through reshoots in All the Money in the World (2017). Producer Lauren Shuler Donner addressed whether this would be possible, saying "We're in the final editing. I don't think so."[114] Miller was later arrested for calling in a false bomb threat; Reynolds would not comment on either issue, but stated that Miller would not be appearing in the X-Force film.[76] Also in January, the film's release was moved up to May 18, 2018.[115]
Junkie XL chose not to return for Deadpool 2 after composing the score for the first film, given that Miller was "the driving force behind" him working on that film in the first place.[124] In October 2017, it was confirmed that Tyler Bates would be writing the score for Deadpool 2 after doing the same for Leitch's previous films.[125] Bates approached the music with a slight rock sensibility,[7] and used a distorted guitar run through a wah-wah pedal, microsynths to add "unique colors", and a choir.[7] The choir originally sings lyrics such as "you can't stop this motherfucker" and "holy shit balls!", which ultimately earned the score a parental advisory warning. It is the first score album to receive such a warning. Bates felt this was not "merit-less debauchery, it was just fun. It's very rare that we can work on something at such a high professional level that embraces the irreverence of Deadpool."[126]
Fox officially announced Once Upon a Deadpool in November, and changed the release schedule to run from December 12 to 24. The studio considered the release to be a chance of a "Christmas bonus", and it also had the potential to be released in China unlike the R-rated version. After spending the entire development process of both Deadpool and Deadpool 2 insisting to Fox that the films must be R-rated, Reynolds only agreed to support a PG-13 version of the film if a portion of the release's profit went to charity; Fox agreed to donate $1 for every ticket purchased for the film to the Fuck Cancer charity campaign, which would be temporarily renamed "Fudge Cancer" for the fundraising tie-in.[156] At the end of November, writer and artist Michael Vincent Bramley noted that he had pitched the exact framing device that was being used for this version of the film to Reynolds on Twitter in December 2017.[158] Within a day, Bramley had been contacted by Reynolds to discuss the issue and said, "It seems like this may all just have been a big, insane coincidence and I'm happy to leave it at that."[159]
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